Welcome to the Little Theatre in the Heart of Brighton
Who we are...
Founded in 1940, we are a thriving, leading not-for-profit theatre company who stage at least 10 plays a year in our very own little theatre in the heart of Brighton.
We are made up of a membership of enthusiastic and dedicated volunteers who strive to produce a consistently high standard of theatre.
We offer open auditions (youâre required to join if cast) and we always welcome new members, so if you are interested please visit the Join us section of this website.
If you're interested in joining our Youth Group, please visit the Youth section of this website.
We are currently fundraising through our Brick By Brick campaign. We plan to make some exciting changes and developments to our building. If you would like to find out more and help by donating, please click here!
And finally, don't forget to follow us on Twitter, Facebook and Instagram!
Up Next
A collection of Short Pieces, featuring local writers.
We all strive for connection, for validation, and to be seen. Connecting with each other is vital for everyone. Yet how often do we connect, even when we try our hardest? A wonderful and inspiring collection of shorts about the things that connect us or disconnect us from each other and ourselves.
The attic burns with secrets untold in our 800th Production!
In Polly Tealeâs bold reimagining, Bertha Mason - the infamous âmadwoman in the atticâ- steps from the shadows and emerges as the living embodiment of Janeâs suppressed longings and rage. A daring interpretation that reveals the storm beneath Charlotte BrontĂŤâs classic. Dive into Janeâs inner world and unearth the psychological battles between passion and restraint, duty and desire. Arresting and emotionally charged, this adaptation breathes raw, urgent life into one of literatureâs most enduring heroines â a Jane Eyre like no other.
FORTHCOMING PRODUCTIONS
A collection of Short Pieces, featuring local writers.
We all strive for connection, for validation, and to be seen. Connecting with each other is vital for everyone. Yet how often do we connect, even when we try our hardest? A wonderful and inspiring collection of shorts about the things that connect us or disconnect us from each other and ourselves.
The attic burns with secrets untold in our 800th Production!
In Polly Tealeâs bold reimagining, Bertha Mason - the infamous âmadwoman in the atticâ- steps from the shadows and emerges as the living embodiment of Janeâs suppressed longings and rage. A daring interpretation that reveals the storm beneath Charlotte BrontĂŤâs classic. Dive into Janeâs inner world and unearth the psychological battles between passion and restraint, duty and desire. Arresting and emotionally charged, this adaptation breathes raw, urgent life into one of literatureâs most enduring heroines â a Jane Eyre like no other.
The attic burns with secrets untold in our 800th Production!
In Polly Tealeâs bold reimagining, Bertha Mason - the infamous âmadwoman in the atticâ- steps from the shadows and emerges as the living embodiment of Janeâs suppressed longings and rage. A daring interpretation that reveals the storm beneath Charlotte BrontĂŤâs classic. Dive into Janeâs inner world and unearth the psychological battles between passion and restraint, duty and desire. Arresting and emotionally charged, this adaptation breathes raw, urgent life into one of literatureâs most enduring heroines â a Jane Eyre like no other.
When Jane Austen forgets the ending, the characters write it themselves...
What happens when the writer loses the plot? Emma Watson is 19, new in town, and newly cut off by her wealthy aunt. Sent back to the family home, she and her sisters must marry â and quickly. Otherwise, they face poverty, spinsterhood, or worse: a lifetime trapped with their boorish brother and his dreadful wife. So far, so Austen. But hereâs the twist â Jane Austen never finished The Watsons. Who will write Emmaâs happy ending now? Brimming with wit, mischief, and a touch of theatrical magic, this sparkling play peeks under the bonnet of Austenâs world and asks: What can characters do when their author abandons them?
When Power Demands a Performance, the Show Must Go OnâŚ
On the eve of a general election, the Prime Minister suddenly drops dead â or so it seems. Fearing electoral disaster without his charisma, two desperate cabinet members recruit an out-of-work actor to step into the PMâs shoes until the votes are cast. At first, itâs an amusing charade â a political performance played for laughs. But the role soon becomes dangerously real. The actor discovers that the Prime Minister wasnât felled by a heart attack at all â he was poisoned. What begins as a playful deception spirals into a deadly game of murder, conspiracy, and ambition, laced with a wicked streak of dark comedy.
In Dolly Westâs Kitchen, in the coastal town of Buncrana during the Second World War, meals are served with equal helpings of laughter, longing, and sharp-tongued debate. As her family wrestles with the personal and political battles, American soldiers arrive in town and new opportunities â and new tensions â bubble to the surface. Alliances are tested, forbidden desires spark, and the clash between tradition and change threatens to boil over. Both intimate and epic, Frank McGuinnessâs play blends humour, heartbreak, and humanity, creating a portrait of ordinary lives caught up in the extraordinary sweep of history.